Meanwhile, back at the castle

Armed with a ticket for the works, I spent all of today's tourist time at Prague Castle.  First stop was a return visit to St. Vitus' Cathedral, but this time my ticket let me explore all of it that is open to the public.

The stained-glass windows are generally nice, though not my favorites.

Click on any image to see a larger version.

The one Mucha designed, however, is absolutely gorgeous.

Paintings, frescoes, and tapestries adorned the many small chapels inside the church, but none were labeled.  Some looked like relatively new additions, while others, such as this one, felt quite old and were often in a bit of disrepair.

Everywhere you go here, you get the sense of a land that has spent much of the last many centuries under various kinds of renovation, some by choice, others by necessity.  Without actually getting to know any Czechs, I've come to admire the resilience of these people.

St. Vitus' houses many tombs, all decorated but some far more ornate more than others.  

This one, which was nearest the front of the church, was clearly of great importance--and so big I couldn't get it all in one shot.  (It proved to be the tomb of St. John of Nepomuk; the tomb alone contains two tons of baroque silver.)  Just this much, though, should give you a sense of how ornate it was.

The most completely decorated room in the place was cordoned off, so I had to settle for an exterior shot.  I have no clue what made it special, but I would like to have been able to study it further.

Did I mention the organ?

I was interested and pleased to see this memorial book for lost Czech airmen.

I also quite liked this mosaic.

Wandering through the gift shop, which I routinely do though I've yet to buy anything in one, I couldn't help but notice the copyright on this bit of Kafka merch.

Ah, you have to love unintentional humor. 

Another key stop today was the Picture Gallery.  Centuries ago, it housed the collection of Rudolph II and was one of the world's great art assemblages.  Various wars and conquerors subsequently left it empty.  What's there today has all arrived in the last hundred years or so.  The result is that it contains some interesting works but is just not up to the level of the many galleries I've seen on this trip.

I did like this piece by Bartholomeus Spranger.

Guards were everywhere, and the place does not allow photography, so I didn't take many pictures.  Still, I couldn't resist this nifty teaching tool for the above painting.

Lift any of the pieces with handles, and text inside points out the symbols and other interesting facts about that section of the work. 

I would love to get Google to pay me to create a team to do this with Google Glass for all of the great works of art of the world.  Forget audio guides; imagine augmented reality with visual and auditory input under your control.  It would be awesome.

An unusual work was this illusionist triple portrait of Rudolph by Paulus Roy.

From the little I've read on this subject, it appears that Rudolph enjoyed this sort of thing.  

The collection did include some work by major artists, including this Holbein.

Most of those pieces, though, were either obviously minor or the work of the artist and his studio, with the studio's contributions frequently obvious and not up to the work of the master involved.

I had not before noticed any work by Lucio Massari, but this one was lovely and very well done.

This Veronese also stood out and was an exception to my above observation about the bigger names in the gallery.

I was not previously familiar with the paintings of Pauwels Franck, better known as Paolo Fiammingo, but the odd imagery in this one--note the frog man with hat in the lower left corner--really struck me.

I'll be on the lookout for more of the work of this man who studied under Tintoretto but who clearly pursued his own vision. 

The Treasury of St. Vitus is small and forbids photographs, but it is well worth a stop.  Its intriguing sets of reliquaries and moniles (reliquary pendants that church officials wore) were worth the cost of admission.  This reliquary of the arm of St. George is cool indeed.

The creators of this reliquary had so many bits and pieces of St. Martin that they built an entire panel of them!

On the way to a quick tour of the small history of the palace honor guard (okay but not particularly noteworthy), I passed this odd structure.

No sign explains it, and no one seemed to notice it.  I liked it.

St. Vitus' from the back.

The Basilica of St. George, the oldest church on the property, from the front.

This church started in the 900s and has been through many iterations since then.  The building is in rough shape but is nonetheless fun to visit.  Some very old frescoes remain and are of interest.

An armory exhibit nearby mostly showcased one suit of armor after another, but its real tourist attraction was this room full of torture devices.

Though they were clearly crammed into one space to appeal to tourists, the presence of the devices makes sense given that a prison stands adjacent to the armory.

At this end of the castle, another path leads down to the city, so of course I had to take it.  Wandering vaguely toward the hotel, the path passed by an opening to the Vojan Gardens.  Though there was only one way in and out, and thunderclouds were gathering overhead, I had to check it out; you can't ignore a garden you encounter by happenstance. 

I'm very glad I did.  It was lovely, with a small pond, people resting on the ground and on benches, and many beautiful trees, including this magnolia.

An added treat was the surprise appearance by this peahen

and this peacock, who chose to pose between two dumpsters for my camera.

I have no clue if this bookstore is related to the one in Paris, but seeing it made me smile.

Tomorrow is likely to take me on an unusual ride.  Stay tuned!