Showing posts with label Amanda Palmer. Show all posts
Showing posts with label Amanda Palmer. Show all posts

Friday, December 23, 2016

Leonard Cohen, Neil Gaiman, Amanda Palmer, "Democracy," and these dark days


You can read a bit about its creation on Neil Gaiman's blog here and a different take on it at PEN America's site here.  You can watch it there, also, or you can check it out below.



When you're done, consider making a donation back on the PEN America page.

I know Neil Gaiman doesn't need my help in promoting anything, but I believe that these are dark days indeed, and this video shines as a bit of hopeful light in it.

Well done, Gaiman, Palmer, Cohen, and all who helped.




Friday, February 19, 2016

TED 2016 closes strong


Despite what the timestamp on this entry says, I'm writing it late Saturday afternoon (local time) in the Admirals Club in Heathrow.  The sky is already darkening, and I am trying not to fall asleep.  I'm spending over four hours here on my way to Barcelona.  I am so exhausted I have trouble keeping my eyes open, but I want to put down these thoughts while they are still reasonably fresh.

The first speaker of the day was Tshering Tobgay, the Prime Minister of Bhutan.  Bhutan is a small country with around 700,000 people and a very unusual--and admirable--way of doing business.  It was the first country to be not just carbon-neutral but carbon-positive, something it pledged to be quite some time ago.  The government focuses as much on GNH--Gross National Happiness--as on GDP.  Tobgay's talk was thought-provoking and entertaining, enough so that I now very much want to visit Bhutan and learn more about it.

Sue Desmond-Hellman, the CEO of the Bill & Melinda Gates Foundation and thus one of the most powerful non-profit heads in the world, took the stage next.  She spoke a lot about Precision Public Health as a solution to dealing with issues such as the fact that 2.6 million babies die in the first year of life.  Her example of precision medicine--Herceptin targeting breast-cancer cells--was clear, but she was very short on details about what Precision Public Health would actually mean in practice.  I left wanting more information.

We switched from medicine to art when photographer Stephen Wilkes discussed with us some photos from his Day to Night photographic series.  In each of these works, he chooses a location, usually one suspended in the air over a target area, and shoots 1,500 to 2,500 shots over 18 to 30 hours.  From these, he assembles a single photo that shows what happened in that place from very early in the morning until evening.  I found the photos fascinating and compelling.  I hope he comes out with a book of them.

Surprise guest speaker Alexander Betts, an Oxford professor who specializes in refugee studies, argued convincingly for the EU to do a much better job of taking in refugees.  His arguments applied equally well, I believe, to the U.S.  Impassioned, deeply knowledegable, and completely committed, Betts was a whirlwind of energy determined to improve how we handle refugees.  I was one of the many who gave his talk a standing ovation, my second (after one for Tobgay) of the day.

Surprise followed surprise as Amanda Palmer came onstage.  Joining her were Jherek Bischoff, who conducted a string quartet, and Usman Riaz, who played the main melody on guitar.  They started into a slow and soulful rendition of "Major Tom," and the house exploded with applause.  When it came time for the countdown, a quarter-intensity spotlight revealed that Al Gore was up there with them, and he read the countdown.  After his amazing talk on climate change, Gore reading this countdown was somehow perfect.  At the end, David Bowie name and life span appeared on the screen.

I've expressed here before my mixed feelings about Amanda Palmer's work, but I must say that she and this group absolutely nailed this song.  They were splendid.  I and everyone else in the house stood and gave them a prolonged standing ovation.  It was a magic TED moment, and I feel privileged to have been in the audience to see it.

We changed to comedy as Erin McKean, TED's resident lexicologist, discussed some of the more interesting words, real and made-up, we've heard this week.  She's a quiet but effective humorist and clearly a word lover.

Courtney Martin pointed out that for the first time in American History, a majority of people today believe their children will lead lives with less than they have.  She argued, though, that this was less a failure of the American Dream than a sign that it's time to have a very different dream, one focused more on fulfillment and the ability to adapt to a constantly changing work world than one targeting material possessions.  Her presentation was interesting, and she certainly raised some valid points, but it was ultimately the weakest of the day's talks.

Casey Gerald, founder of MBAs Across America and a strong orator, chronicled a lot of his experiences along the road to finding himself a believer in the gospel of doubt.  He also announced the closing of his organization.  His talk was moving, and he received a standing ovation, but he had only his doubt to offer, no answers or even a path forward, and so in that way his talk ended disappointingly.  I still, though, found it compelling and enjoyed it.

As she has done at past TEDs, Julia Sweeney gave a humorous wrap-up of the week that was a nice, light way to end its final session.

In the course of the closing lunch, I made myself (Bill had already left) sit with different groups and thus actually spoke to over half a dozen folks.  I spent a lot of time talking with speaker Wanda Diaz Merced and TED Fellow Mitchell Jackson, and I quite enjoyed the conversations.

I left as one should depart from TED:  with my heart and head full to overflowing, happy that I had been able to attend, and already looking forward to next year's event.



Monday, April 6, 2015

Amanda Palmer


played the Fletcher Theater in Raleigh earlier tonight, and a small group of us went to see her.  Our group included people new to her work, people who loved her work, and me.  I am familiar with a reasonable amount of Palmer's music and writing, have read (and mostly enjoyed) her book, and have mixed feelings about her work.

When we left, those who had loved her work still did, those who did not know her did not find the performance particularly good, and I still had mixed feelings.  I'm not sure what, if anything, that outcome says about Palmer's performance.

Most of the audience members seemed to be hardcore fans and to have a great time.  Her connection with her fans is strong and two-way; though most of her music is very personal, her affection for her fans seems genuine.

I enjoyed most of her songs, though her musical craft level seems rough to my admittedly untrained ears.  I enjoyed more her storytelling, as did one of the people new to her work.

On balance, I recommend seeing her if you have a chance, if only to find out whether you're in her audience.  I'm not sure I'll go the next time she's here, but I might.



Sunday, December 14, 2014

Art, money, and people


In a recent article in The Guardian, Amanda Palmer discusses at some length the tricky issues of making money as an artist, why artists must now more than ever try various ways to make money from their art, and the sad fact that some of the artists who have been open online about money are getting beat up for their openness.  I share Palmer's frustration at the behavior of the people giving grief to artists who dare to be open about their finances, and I generally agree with the tone of the article. 

Unfortunately, I don't believe there's anything anyone can do to stop people from behaving badly about money. 

In my experience, the moment someone talks about how much they make, other people in the discussion can't stop themselves from reacting.  Is that all?  They pay you so much money for that?  Regardless of whether they think the amount is too high or too low, most people can't have calm conversations about money.  People also often seem to feel they could manage someone else's finances better than that person can.  I just don't see any way around it.

So, though I believe it's a great thing for artists to discuss openly and honestly the various ways they're trying to make a living, I think they will have to brace themselves for the inevitable grief they will later take.  That fact saddens me, but I believe it is a fact.



Friday, April 11, 2014

I didn't see this show at TED


because I was at TEDActive in Whistler, and Chris Hadfield played these songs at a show, an impromptu event that Amanda Palmer organized, that took place in Vancouver.  I sure wish I had been there, though.



Then Palmer sang "Astronaut" for Hadfield.



Very cool indeed.


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